L'ultimo film che avete visto?

Ratatouille

Mi è piaciuto molto

io non amo il noir francese, tuttavia anche a me è piaciuto.

SMS Sotto Mentite Spoglie di Vincenzo Salemme...

[QUOTE=Boyakki;761431]
Steamboy - Bello, animazione accurata, a tratti si pu

"Fuori di testa"

Elo, chissà perché NON sono sorpreso... Se non l'hai già fatto, guardati anche "Braindead", dei suoi film...

non lo conosco, me lo procurerò.

Ratatouille.

Oh.. veramente carino.

Insomma, pensavo peggio... Certo, non un capolavoro della cinematografia, ma per una serata di cazzeggio va bene uguale. Sarà che sento il fascino dello steampunk, pur coi difetti del film (grossi, eh!). E poi, diamine! Voglio una macchina così!

Elizabeth, the golden age. Film che merita secondo me.
Per di pi

Il tredicesimo piano (1999)

Ocean's twelve e Ocean's tirtheen: Belli entrambi
Il Signore degli anelli: La compagnia dell'anello(Extended version): Wow...

Easy Rider... strepitosi Nicholson e Fonda

Rivisto oggi al cinema:
Ratatoulille.

Sempre bello.

un capolavoro

Un vero capolavoro di film.
American Gangster,

Con Denzel Washington e
Russell Crowe (Il Gladiatore)




American Gangster
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Overview

Denzel Washington stars as an ambitious drug dealer who smuggles heroin in the coffins of returning Vietnam veterans, while Russell Crowe plays the cop determined to bring him down. Read Editorial Review


Editorial Review
In "American Gangster," time doesn't fly, it explodes.

The thing is 2 1/2 hours long; it feels like 40 minutes.

Whether it's the next great American crime movie or simply this year's professional stunner will be determined over time; for now, it's enough to say that the story of the rise and fall of an African American drug kingpin is relentlessly told by the Englishman Ridley ("Gladiator," "Black Hawk Down") Scott; it just keeps coming.

The movie stars Denzel Washington as Frank Lucas, a beneath-the-radar Harlem heroin impresario of the 1970s who put together an astonishing organization before anyone noticed, and Russell Crowe as Richie Roberts, the Jersey detective who tracked him, then took him down. It has the aspirations of an epic of crime and punishment, a superb feel for time and milieu, and an almost subliminal feel for myth.

Scott, working from a brilliant script by Steven Zaillian ("Schindler's List," among many other A-list projects), plays the stories of Lucas and Roberts off each other so adroitly that we don't notice that the two antagonists, though defined as such by the parallel cutting and equal screen time as well as the charisma of the stars, aren't even aware of each other until the movie's second half and never eyeball each other until the last 20 minutes.

Washington is brilliant. He seems to have a secret mechanism by which he turns his face off; it goes from a vibrant, expressive projection of humanity and empathy to a stone-killer executioner's mask in so fast a flash, it's scary. Yet, like many movies before it, the film also makes you love Frank. That's the key -- the charisma of the man who triumphs over the system -- and so identified with this theme is "American Gangster" that its other hero, Richie, is also defined as an outsider. The movie seems to be saying: When the inside is so corrupt, you must turn to outsiders.

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